90%
Complete the frustrated theater director's notes to their eccentric lead actor by choosing the correct fixed expressions.
"Far _________________________ to criticize your 'creative process,' but screaming at the prop guy is not method acting. You claim you absolutely need a live swan on stage to find your character's motivation; ____________________________, our meager theater budget only covers a rubber chicken. We open tomorrow night, and _________________________, the show must go on—even if it's poultry-based!"

The correct answers are be it from me, be that as it may, and come what may.

English preserves the present subjunctive (the base form of the verb) in several fixed, idiomatic expressions.

Far be it from me is a polite but often ironic way to say you shouldn't criticize someone, even though you are about to do just that!

Be that as it may means "even if that is true" or "nevertheless."

Come what may means "no matter what happens."

In all of these phrases, we use the base form of the verb (be, come) rather than the indicative forms (is, comes).

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Subjunctive mood

  • If I were you… — past subjunctive (not was)
  • I suggest that he go. — present subjunctive (not goes)
  • It's important that she be present. — present subjunctive
  • If I was you… — common in speech, avoided in formal writing

The subjunctive uses bare-infinitive forms (go, be) after verbs of demand/suggestion, and were (not was) in unreal/hypothetical conditions. Two contexts: that-clauses (I insist that he leave) and if-clauses (If she were here).

Rule: after suggest/recommend/demand/insist that… → use base form. In if + unreal condition → use were for all persons.

Verb mood

  • Indicative: She goes every day. — stating fact
  • Imperative: Go now. — giving command
  • Subjunctive: I suggest she go. — hypothetical/recommendation
  • Conditional: She would go if asked. — dependent on condition

Verb mood marks the speaker's attitude: indicative (fact), imperative (command), subjunctive (unreal/recommended), conditional (would/could). English barely marks mood morphologically — mostly through auxiliaries and word order.

Rule: stating a fact? → indicative. Giving a command? → imperative. Imagining/recommending? → subjunctive or conditional. The mood determines which verb forms and auxiliaries you use.

Phrase

  • the red car — noun phrase (functions as one noun unit)
  • on the table — prepositional phrase
  • has been running — verb phrase
  • very quickly — adverb phrase

A phrase is a group of words that functions as a single unit WITHOUT a subject + verb pair. Types: noun phrase, verb phrase, prepositional phrase, adjective phrase, adverb phrase.

Key distinction: a phrase lacks a subject-verb pair. If it has subject + verb → it's a clause, not a phrase. Phrases are the building blocks clauses are made of.

Verb

  • walk → walk / walks / walked / walked / walking (5 forms, regular)
  • go → go / goes / went / gone / going (5 forms, irregular)
  • be → am/is/are/was/were/be/being/been (8 forms)
  • can → can / could (modal: only 2 forms, no -s, no -ing)

A verb is the one word class every English sentence requires. Carries tense (when), aspect (duration), mood (attitude), and voice (active/passive). Regular verbs add -ed; ~200 irregular verbs have unpredictable past forms.

Key insight: fix your verbs and most grammar problems disappear. Wrong tense, wrong agreement, wrong form — verb errors account for the majority of grammatical mistakes.

Idiom

  • It's raining cats and dogs. — means "raining heavily" (not literal animals)
  • Break a leg! — means "good luck" (not an injury wish)
  • Spill the beans — means "reveal a secret"
  • Kick the bucket — means "to die" (no actual bucket involved)

Idioms are fixed phrases whose meaning can't be guessed from the individual words. They must be memorised as complete units — word-by-word translation from another language almost always fails.

Pattern: if a phrase is literally absurd but everyone uses it with a specific meaning → it's an idiom. Learn it as a chunk, not as individual words.

C1 | Advanced

  • Not only did she finish early, but she also helped others. — inversion for emphasis
  • It is the process that matters, not the result. — cleft sentence
  • I insist that he be present. — formal subjunctive
  • Were I to disagree, I would say so. — inverted conditional

These are C1 structures — the CEFR advanced level. At C1 you control inversion, cleft sentences, subjunctive forms, and register-switching fluently across formal and informal contexts.

Marker: if you can restructure a sentence for rhetorical effect without hesitation, you're C1.

Hard

  • Had she not intervened, the situation would have escalated. — inverted conditional
  • All distractors are grammatically plausible in other contexts
  • Multiple rules interact (e.g., tense + aspect + modality)
  • Context determines the answer — no single "rule" is enough

Hard marks upper-intermediate to advanced challenges: B2+, interacting rules, edge cases, plausible distractors, and contexts where pattern-matching fails.

Use "Hard" when Easy/Medium feel trivial and you want to test whether you actually understand a rule versus just recognising surface patterns.