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Read the witch's instructions for her apprentice and select the best word to complete each warning about the levitating cake.
The cake will rise beautifully _________________________ you stir the batter exactly seven times counter-clockwise. Be careful, though! The mixture will explode into a cloud of purple smoke _________________________ you add the crushed dragon scales too early. Keep the oven door firmly shut _________________________ you want the cake to escape and fly around the kitchen!

The cake will rise beautifully provided that you stir the batter exactly seven times counter-clockwise. Be careful, though! The mixture will explode into a cloud of purple smoke if you add the crushed dragon scales too early. Keep the oven door firmly shut unless you want the cake to escape and fly around the kitchen!

Provided that emphasizes a strict condition (the cake rises only if you stir it exactly seven times).

If introduces the direct cause of the explosion (adding scales too early).

Unless means "except if." You should keep the door shut except if your goal is to let the cake fly away!

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Conditional sentence

Want to say I would have caught the train if I'd left earlier without freezing on the verb forms? That's a third conditional, and it's one of five patterns English uses to talk about possibilities, regrets, and hypotheticals. Get the system right and you stop sounding stuck in the present tense.

A conditional sentence pairs a condition clause (usually with if) with a consequence clause: If it rains, we stay in. The five named patterns — zero, first, second, third, and mixed — each match a specific time frame and likelihood, with their own tense rules.

Clause

If you've ever been told your sentence is a "run-on" or that you've used a comma where there should be a semicolon — you've hit the limits of writing without seeing clauses. Get this concept solid and most punctuation problems quietly disappear: you can finally tell a complete thought from a fragment without guessing.

A clause is a grammatical unit built around a verb, usually with a subject and a predicate. Independent clauses stand alone (I missed the bus); dependent clauses can't (Because I overslept). Combine them and you build complex sentences.

Conjunction

If your writing reads like a list of separate sentences — I was tired. I went home. I slept badly. — the missing piece is conjunctions. They're how you bind ideas together: I was tired, so I went home, but I still slept badly. Pick the wrong one and the relationship between ideas flips; pick none and your writing stays choppy.

A conjunction connects words, phrases, or clauses. Coordinating conjunctions (and, but, or, so, yet, for, nor) link equal units; subordinating conjunctions (because, although, if, when, while) introduce dependent clauses.

Complex sentence

If your writing is technically correct but reads like a list of short, disconnected statements — I overslept. I missed the bus. I was late. — you've hit the limit of what simple sentences can do. Complex sentences are how you fuse those into one flowing thought (Because I overslept, I missed the bus and was late). It's the single biggest jump in writing maturity.

A complex sentence combines an independent clause with at least one dependent clause: I missed the bus because I overslept. The dependent clause typically signals time, reason, condition, or describes a noun, and is introduced by subordinating conjunctions (because, although, if, when) or relative pronouns.

Humor

If you've ever reached the third drill of present perfect and felt your eyes glaze over, you've hit the limits of dry repetition. Practice that's even mildly funny is far easier to come back to — and far easier to remember weeks later. That's the whole point of the Humor tag.

The Humor tag marks questions where the author has tried to make the practice entertaining alongside instructive. Subjective, sometimes silly, but designed to keep you engaged long enough for the rule to stick.

B2 | Upper Intermediate

If a university admissions team or visa office has ever asked you for an English test score, B2 is probably the level they had in mind. It's the threshold where your English stops being a constraint and starts being a tool — and the line between B1 and B2 is often the line between "stuck in beginner classes" and "ready to study or work in English."

B2 is the upper-intermediate level in the CEFR framework, demanding flexible control of mixed conditionals, passive voice across tenses, reported speech with backshifting, and participle clauses.

Difficulty: Medium

If easy questions feel too obvious but hard questions leave you guessing, you're probably ready for Medium — the level where most real learning happens. It pushes just enough to expose the rules you don't quite have yet, without burying you in edge cases. This is where steady fluency is built, one well-aimed challenge at a time.

The Medium difficulty tag marks middle-range challenges — typically A2 to B1. One rule per question, realistic distractors, and contexts that require active thought rather than instant recognition.